<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-1941660870501278477</id><updated>2012-02-16T01:01:02.378-08:00</updated><title type='text'>FILM SERIES: DELEUZE FROM A TO Z</title><subtitle type='html'>-----------------------------------------------------------------------------------------------------------------------------------------------------

From A to Z is a film series organized by Marie Jager and Hedi El Kholti. It consists of 24 screenings based on a filmed interview between Gilles Deleuze and Claire Parnet. Each screening shows one letter from the 8 hour long interview and groups other films around each theme presented by Deleuze, from "A as in Animal" to "Z as in Zigzag."</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://atozfilms.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1941660870501278477/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://atozfilms.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>hedi</name><uri>http://www.blogger.com/profile/04347574537338138649</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_l7thsVIsLzs/S-Re4UWZmdI/AAAAAAAAAFc/LaTsj_nbVcU/S220/BY+THE+TIME.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>13</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-1941660870501278477.post-2249650149936992390</id><published>2008-03-02T20:30:00.000-08:00</published><updated>2008-02-27T19:02:01.407-08:00</updated><title type='text'>Screening Number Thirteen: “L as in Literature"</title><content type='html'>at the Mandrake Bar&lt;br /&gt;2692 S La Cienega Blvd Los Angeles&lt;br /&gt;--------------------------------------------------------&lt;br /&gt;Pierre André Boutang: Gilles Deleuze / Claire Parnet: From A to Z: “L as in Literature” (1988) (Translated by Charles J. Stivale)&lt;br /&gt;15 minutes &lt;br /&gt;&lt;br /&gt;Samuel Beckett: Film (1965)&lt;br /&gt;17 minutes&lt;br /&gt;&lt;br /&gt;Chris Kraus: Foolproof Illusion (1986)&lt;br /&gt;17 minutes &lt;br /&gt;&lt;br /&gt;Laura Parnes: Blood and Guts in High School (2004-06) [Exerpt: Three Miles Island]&lt;br /&gt;7 minutes &lt;br /&gt;&lt;br /&gt;John Boskovich: North (2001) &lt;br /&gt;12 minutes&lt;br /&gt;&lt;br /&gt;____________________________________________&lt;br /&gt;&lt;br /&gt;&lt;a href="http://bp3.blogger.com/_l7thsVIsLzs/R8Yj3-akV4I/AAAAAAAAACg/vyhZJS-WPbs/s1600-h/L-poster.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;" src="http://bp3.blogger.com/_l7thsVIsLzs/R8Yj3-akV4I/AAAAAAAAACg/vyhZJS-WPbs/s320/L-poster.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5171860666635802498" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1941660870501278477-2249650149936992390?l=atozfilms.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://atozfilms.blogspot.com/feeds/2249650149936992390/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1941660870501278477&amp;postID=2249650149936992390' title='40 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1941660870501278477/posts/default/2249650149936992390'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1941660870501278477/posts/default/2249650149936992390'/><link rel='alternate' type='text/html' href='http://atozfilms.blogspot.com/2008/03/screening-number-thirteen-l-as-in.html' title='Screening Number Thirteen: “L as in Literature&quot;'/><author><name>hedi</name><uri>http://www.blogger.com/profile/04347574537338138649</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_l7thsVIsLzs/S-Re4UWZmdI/AAAAAAAAAFc/LaTsj_nbVcU/S220/BY+THE+TIME.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp3.blogger.com/_l7thsVIsLzs/R8Yj3-akV4I/AAAAAAAAACg/vyhZJS-WPbs/s72-c/L-poster.jpg' height='72' width='72'/><thr:total>40</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1941660870501278477.post-2493201007135601032</id><published>2008-01-13T20:30:00.000-08:00</published><updated>2008-01-08T10:52:31.517-08:00</updated><title type='text'>Screening Number Twelve: “M as in Malady"</title><content type='html'>at the Mandrake Bar at 8:30 p.m.&lt;br /&gt;2692 S La Cienega Blvd Los Angeles&lt;br /&gt;_________________________________________&lt;br /&gt;Pierre André Boutang: Gilles Deleuze / Claire Parnet: From A to Z: “M as in Malady” (1988) 29 minutes (Translated by Charles J. Stivale)&lt;br /&gt;&lt;br /&gt;Forugh Farrokhzad: The House Is Black (1956)&lt;br /&gt;20 minutes&lt;br /&gt;&lt;br /&gt;Jean-Daniel Pollet : L’Ordre (1973)&lt;br /&gt;40 minutes &lt;br /&gt;&lt;br /&gt;____________________________________________&lt;br /&gt;&lt;br /&gt;&lt;a href="http://bp2.blogger.com/_l7thsVIsLzs/R4PF-S-sVxI/AAAAAAAAACQ/Eo1KKTAKVaI/s1600-h/M+as+in+Malady2.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;" src="http://bp2.blogger.com/_l7thsVIsLzs/R4PF-S-sVxI/AAAAAAAAACQ/Eo1KKTAKVaI/s320/M+as+in+Malady2.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5153180072679331602" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1941660870501278477-2493201007135601032?l=atozfilms.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://atozfilms.blogspot.com/feeds/2493201007135601032/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1941660870501278477&amp;postID=2493201007135601032' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1941660870501278477/posts/default/2493201007135601032'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1941660870501278477/posts/default/2493201007135601032'/><link rel='alternate' type='text/html' href='http://atozfilms.blogspot.com/2008/01/screening-number-twelve-m-as-in-malady.html' title='Screening Number Twelve: “M as in Malady&quot;'/><author><name>hedi</name><uri>http://www.blogger.com/profile/04347574537338138649</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_l7thsVIsLzs/S-Re4UWZmdI/AAAAAAAAAFc/LaTsj_nbVcU/S220/BY+THE+TIME.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp2.blogger.com/_l7thsVIsLzs/R4PF-S-sVxI/AAAAAAAAACQ/Eo1KKTAKVaI/s72-c/M+as+in+Malady2.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1941660870501278477.post-2851241656791097708</id><published>2007-12-27T21:30:00.000-08:00</published><updated>2008-01-02T13:12:07.300-08:00</updated><title type='text'>Screening Number Eleven: “K as in Kant"</title><content type='html'>at the Semiotext(e) office at 9:30 p.m.&lt;br /&gt;_________________________________________&lt;br /&gt;Pierre André Boutang: Gilles Deleuze/Claire Parnet: From A to Z: “K as in Kant" (1988) 12 minutes (Translated by Charles J. Stivale)&lt;br /&gt;&lt;br /&gt;Philippe Garrel: The Virgin's bed (1969)&lt;br /&gt;90 minutes&lt;br /&gt;&lt;br /&gt;____________________________________________&lt;br /&gt;&lt;br /&gt;&lt;a href="http://bp0.blogger.com/_l7thsVIsLzs/R3v9Ky-sVwI/AAAAAAAAACI/vDv2j_IvaqA/s1600-h/virgin%27s+bed.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;" src="http://bp0.blogger.com/_l7thsVIsLzs/R3v9Ky-sVwI/AAAAAAAAACI/vDv2j_IvaqA/s320/virgin%27s+bed.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5150988960753538818" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1941660870501278477-2851241656791097708?l=atozfilms.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://atozfilms.blogspot.com/feeds/2851241656791097708/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1941660870501278477&amp;postID=2851241656791097708' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1941660870501278477/posts/default/2851241656791097708'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1941660870501278477/posts/default/2851241656791097708'/><link rel='alternate' type='text/html' href='http://atozfilms.blogspot.com/2007/12/screening-number-eleven-k-as-in-kant.html' title='Screening Number Eleven: “K as in Kant&quot;'/><author><name>hedi</name><uri>http://www.blogger.com/profile/04347574537338138649</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_l7thsVIsLzs/S-Re4UWZmdI/AAAAAAAAAFc/LaTsj_nbVcU/S220/BY+THE+TIME.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp0.blogger.com/_l7thsVIsLzs/R3v9Ky-sVwI/AAAAAAAAACI/vDv2j_IvaqA/s72-c/virgin%27s+bed.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1941660870501278477.post-4645647580175574942</id><published>2007-11-11T20:30:00.000-08:00</published><updated>2007-11-07T14:37:16.056-08:00</updated><title type='text'>Screening Number Ten : “J as in Joy”</title><content type='html'>at the Mandrake Bar at 8:30 p.m.&lt;br /&gt;2692 S La Cienega Blvd Los Angeles&lt;br /&gt;_________________________________________&lt;br /&gt;Pierre André Boutang: Gilles Deleuze / Claire Parnet: From A to Z: “J as in Joy” (1988) 20 minutes (Translated by Charles J. Stivale)&lt;br /&gt;&lt;br /&gt;Michel Auder: Polaroid Cocaine (1993)&lt;br /&gt;5 minutes&lt;br /&gt;&lt;br /&gt;Pierre Clementi: Soleil (Sun) (1988)&lt;br /&gt;14 minutes&lt;br /&gt;&lt;br /&gt;Lionel Soukaz: Ixe (1980)&lt;br /&gt;45 minutes&lt;br /&gt;&lt;br /&gt;____________________________________________&lt;br /&gt;&lt;br /&gt;&lt;a href="http://bp3.blogger.com/_l7thsVIsLzs/RzI9rdS2SUI/AAAAAAAAACA/PecFx1OWn5s/s1600-h/Joy+by+Andy+Goldman.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;" src="http://bp3.blogger.com/_l7thsVIsLzs/RzI9rdS2SUI/AAAAAAAAACA/PecFx1OWn5s/s320/Joy+by+Andy+Goldman.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5130230742335768898" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1941660870501278477-4645647580175574942?l=atozfilms.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://atozfilms.blogspot.com/feeds/4645647580175574942/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1941660870501278477&amp;postID=4645647580175574942' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1941660870501278477/posts/default/4645647580175574942'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1941660870501278477/posts/default/4645647580175574942'/><link rel='alternate' type='text/html' href='http://atozfilms.blogspot.com/2007/11/screening-number-ten-j-as-in-joy.html' title='Screening Number Ten : “J as in Joy”'/><author><name>hedi</name><uri>http://www.blogger.com/profile/04347574537338138649</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_l7thsVIsLzs/S-Re4UWZmdI/AAAAAAAAAFc/LaTsj_nbVcU/S220/BY+THE+TIME.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp3.blogger.com/_l7thsVIsLzs/RzI9rdS2SUI/AAAAAAAAACA/PecFx1OWn5s/s72-c/Joy+by+Andy+Goldman.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1941660870501278477.post-6964321511802819807</id><published>2007-09-23T20:30:00.000-07:00</published><updated>2007-09-20T00:09:58.360-07:00</updated><title type='text'>Screening Number Nine : “I as in Idea””</title><content type='html'>at the Mandrake Bar at 8:30 p.m.&lt;br /&gt;2692 S La Cienega Blvd Los Angeles&lt;br /&gt;_________________________________________&lt;br /&gt;Pierre André Boutang: Gilles Deleuze / Claire Parnet: From A to Z: “I as in Idea”” (1988) 15 minutes (Translated by Charles J. Stivale)&lt;br /&gt;&lt;br /&gt;Ralph Steiner: H2O (1929)&lt;br /&gt;12 minutes&lt;br /&gt;&lt;br /&gt;Francis Lee: 1941 (1941)&lt;br /&gt;6 minutes&lt;br /&gt;&lt;br /&gt;Elaine Sturtevant: Duchamp Nu Descendant un Escalier (1968)&lt;br /&gt;4 minutes&lt;br /&gt;&lt;br /&gt;David Askevold: Nova Scotia Fires (1969)&lt;br /&gt;2 minutes&lt;br /&gt;&lt;br /&gt;Lawrence Weiner: Beached (1970)&lt;br /&gt;2 minutes&lt;br /&gt;&lt;br /&gt;Valie Export: Visual Text: Finger Poem (1968-73)&lt;br /&gt;2 minutes&lt;br /&gt;&lt;br /&gt;John Baldessari: Teaching a Plant the Alphabet (1970)&lt;br /&gt;5 minutes&lt;br /&gt;&lt;br /&gt;Gordon Matta-Clark: City Slivers (1976)&lt;br /&gt;15 minutes&lt;br /&gt;&lt;br /&gt;Cyprien Gaillard:  Real Remnants of Fictive Wars Part IV (2005)&lt;br /&gt;6 minutes&lt;br /&gt;&lt;br /&gt;Pierre Huyghe: I Jedi (Devil's Tower) (2003)&lt;br /&gt;3 minutes&lt;br /&gt;&lt;br /&gt;____________________________________________&lt;br /&gt;&lt;br /&gt;&lt;a href="http://bp1.blogger.com/_l7thsVIsLzs/RvIbGwUK8KI/AAAAAAAAAB4/vDJJnN0a0Mw/s1600-h/Deleuze+I+as+Idea.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;" src="http://bp1.blogger.com/_l7thsVIsLzs/RvIbGwUK8KI/AAAAAAAAAB4/vDJJnN0a0Mw/s320/Deleuze+I+as+Idea.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5112178329881604258" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1941660870501278477-6964321511802819807?l=atozfilms.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://atozfilms.blogspot.com/feeds/6964321511802819807/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1941660870501278477&amp;postID=6964321511802819807' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1941660870501278477/posts/default/6964321511802819807'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1941660870501278477/posts/default/6964321511802819807'/><link rel='alternate' type='text/html' href='http://atozfilms.blogspot.com/2007/09/at-mandrake-bar-at-830-p.html' title='Screening Number Nine : “I as in Idea””'/><author><name>hedi</name><uri>http://www.blogger.com/profile/04347574537338138649</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_l7thsVIsLzs/S-Re4UWZmdI/AAAAAAAAAFc/LaTsj_nbVcU/S220/BY+THE+TIME.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp1.blogger.com/_l7thsVIsLzs/RvIbGwUK8KI/AAAAAAAAAB4/vDJJnN0a0Mw/s72-c/Deleuze+I+as+Idea.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1941660870501278477.post-1143764489855268740</id><published>2007-07-01T20:30:00.001-07:00</published><updated>2007-09-20T00:07:59.126-07:00</updated><title type='text'>Screening Number Eight : “H as in History of Philosophy”</title><content type='html'>at the Mandrake Bar at 8:30 p.m.&lt;br /&gt;2692 S La Cienega Blvd Los Angeles&lt;br /&gt;_________________________________________&lt;br /&gt;Pierre André Boutang: Gilles Deleuze / Claire Parnet: From A to Z: “H as in History of Philosophy” (1988) 38 minutes (Translated by Charles J. Stivale)&lt;br /&gt;&lt;br /&gt;Michelangelo Antonioni: Michelangelo Eye to Eye (2004)&lt;br /&gt;15 minutes&lt;br /&gt;&lt;br /&gt;Jean Luc Godard &amp; Anne-Marie Miéville: The Old Place (1998)&lt;br /&gt;49 minutes&lt;br /&gt;&lt;br /&gt;Roman Signer: Fass Mit Camera (1999)&lt;br /&gt;1 minute&lt;br /&gt;&lt;br /&gt;Roman Signer: Eis Und Lampe (1995)&lt;br /&gt;1 minute&lt;br /&gt;&lt;br /&gt;____________________________________________&lt;br /&gt;&lt;br /&gt;&lt;a href="http://bp3.blogger.com/_l7thsVIsLzs/RoINe_-UcvI/AAAAAAAAABw/lCz6A1UUNWU/s1600-h/Deleuze-H-as-in-History.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;" src="http://bp3.blogger.com/_l7thsVIsLzs/RoINe_-UcvI/AAAAAAAAABw/lCz6A1UUNWU/s320/Deleuze-H-as-in-History.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5080638155847398130" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1941660870501278477-1143764489855268740?l=atozfilms.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://atozfilms.blogspot.com/feeds/1143764489855268740/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1941660870501278477&amp;postID=1143764489855268740' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1941660870501278477/posts/default/1143764489855268740'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1941660870501278477/posts/default/1143764489855268740'/><link rel='alternate' type='text/html' href='http://atozfilms.blogspot.com/2007/07/screening-number-eight-h-as-in-history.html' title='Screening Number Eight : “H as in History of Philosophy”'/><author><name>hedi</name><uri>http://www.blogger.com/profile/04347574537338138649</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_l7thsVIsLzs/S-Re4UWZmdI/AAAAAAAAAFc/LaTsj_nbVcU/S220/BY+THE+TIME.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp3.blogger.com/_l7thsVIsLzs/RoINe_-UcvI/AAAAAAAAABw/lCz6A1UUNWU/s72-c/Deleuze-H-as-in-History.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1941660870501278477.post-1255692500055247841</id><published>2007-05-27T20:30:00.000-07:00</published><updated>2007-05-28T01:33:45.532-07:00</updated><title type='text'>Screening Number Seven: "G as in Gauche [Left]"</title><content type='html'>at the Mandrake Bar at 8:30 p.m.&lt;br /&gt;2692 S La Cienega Blvd Los Angeles&lt;br /&gt;_________________________________________&lt;br /&gt;Pierre André Boutang: Gilles Deleuze/Claire Parnet: From A to Z: “G as in Gauche [Left]" (1988) 25 minutes (Translated by Charles J. Stivale)&lt;br /&gt;&lt;br /&gt;Alain Resnais: Guernica (1950)&lt;br /&gt;12 minutes &lt;br /&gt;&lt;br /&gt;Le Corbusier; Iannis Xenakis; Edgard Varèse: Poème électronique (1958) &lt;br /&gt;8 minutes&lt;br /&gt;&lt;br /&gt;Harry Smith: Early Abstractions 7 (1957)&lt;br /&gt;2 minutes &lt;br /&gt;&lt;br /&gt;Stan Brakhage : Black Ice, (1994) &lt;br /&gt;2 minutes&lt;br /&gt;&lt;br /&gt;Pauline Stella Sanchez: Gone Mad Blue/Color Vaccine Architecture or3 state sculpture (2004)&lt;br /&gt;2 minutes&lt;br /&gt;&lt;br /&gt;Pierre Clementi: Visa de Censure X (1967-1975) &lt;br /&gt;43 minutes&lt;br /&gt;&lt;br /&gt;Don Como: Aliens From Spaceship Earth (1977)&lt;br /&gt;[Excerpt on Father Yod and the Source Family]&lt;br /&gt;3 minutes&lt;br /&gt;&lt;br /&gt;Amon Düül II: All The Years Round (1975)&lt;br /&gt;3 minutes &lt;br /&gt;&lt;br /&gt;Alexander Kluge, Volker Schlöndorff, Rainer Werner Fassbinder...: Germany in Autumn (1978) [joint funeral of the Red Army Faction activists: Andreas Baader, Gudrun Enslin, and Jean-Carl Raspe.]&lt;br /&gt;20 minutes&lt;br /&gt;&lt;br /&gt;____________________________________________&lt;br /&gt;&lt;br /&gt;&lt;a href="http://bp2.blogger.com/_l7thsVIsLzs/RlR6L0-5lBI/AAAAAAAAABg/4w_mEKWZ3gU/s1600-h/Erik-Bluhm-poster.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;" src="http://bp2.blogger.com/_l7thsVIsLzs/RlR6L0-5lBI/AAAAAAAAABg/4w_mEKWZ3gU/s320/Erik-Bluhm-poster.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5067809824318264338" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1941660870501278477-1255692500055247841?l=atozfilms.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://atozfilms.blogspot.com/feeds/1255692500055247841/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1941660870501278477&amp;postID=1255692500055247841' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1941660870501278477/posts/default/1255692500055247841'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1941660870501278477/posts/default/1255692500055247841'/><link rel='alternate' type='text/html' href='http://atozfilms.blogspot.com/2007/05/screening-number-seven-g-as-in-gauche.html' title='Screening Number Seven: &quot;G as in Gauche [Left]&quot;'/><author><name>hedi</name><uri>http://www.blogger.com/profile/04347574537338138649</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_l7thsVIsLzs/S-Re4UWZmdI/AAAAAAAAAFc/LaTsj_nbVcU/S220/BY+THE+TIME.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp2.blogger.com/_l7thsVIsLzs/RlR6L0-5lBI/AAAAAAAAABg/4w_mEKWZ3gU/s72-c/Erik-Bluhm-poster.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1941660870501278477.post-3715102362775312661</id><published>2007-04-29T20:30:00.000-07:00</published><updated>2007-04-24T09:55:22.670-07:00</updated><title type='text'>Screening Number Six: "F as in Friendship"</title><content type='html'>at the Mandrake Bar at 8:30 p.m.&lt;br /&gt;2692 S La Cienega Blvd Los Angeles&lt;br /&gt;_________________________________________&lt;br /&gt;Pierre André Boutang: Gilles Deleuze/Claire Parnet: From A to Z: “F as in Friendship"&lt;br /&gt;(1988) 16 minutes (Translated by Charles J. Stivale)&lt;br /&gt;&lt;br /&gt;Danièle Huillet and Jean-Marie Straub: En rachâchant (1982)&lt;br /&gt;7 minutes (Story by Marguerite Duras)&lt;br /&gt;&lt;br /&gt;Harun Farocki: Jean-Marie Straub and Daniele Huillet at Work &lt;br /&gt;on Franz Kafka's "Amerika" (1983) [Excerpt]&lt;br /&gt;10 minutes &lt;br /&gt;&lt;br /&gt;Pedro Costa: Where Does Your Hidden Smile Lie? (2001)&lt;br /&gt;[ A portrait of Danièle Huillet and Jean-Marie Straub during the editing of Sicilia!]&lt;br /&gt;70 minutes&lt;br /&gt;&lt;br /&gt;____________________________________________&lt;br /&gt;&lt;br /&gt;&lt;a href="http://bp2.blogger.com/_l7thsVIsLzs/Ri4vi3lreZI/AAAAAAAAABI/g8QbQjga87M/s1600-h/f+as+friendship.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;" src="http://bp2.blogger.com/_l7thsVIsLzs/Ri4vi3lreZI/AAAAAAAAABI/g8QbQjga87M/s320/f+as+friendship.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5057031707667691922" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1941660870501278477-3715102362775312661?l=atozfilms.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://atozfilms.blogspot.com/feeds/3715102362775312661/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1941660870501278477&amp;postID=3715102362775312661' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1941660870501278477/posts/default/3715102362775312661'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1941660870501278477/posts/default/3715102362775312661'/><link rel='alternate' type='text/html' href='http://atozfilms.blogspot.com/2007/04/screening-number-six-f-as-in-friendship.html' title='Screening Number Six: &quot;F as in Friendship&quot;'/><author><name>hedi</name><uri>http://www.blogger.com/profile/04347574537338138649</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_l7thsVIsLzs/S-Re4UWZmdI/AAAAAAAAAFc/LaTsj_nbVcU/S220/BY+THE+TIME.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp2.blogger.com/_l7thsVIsLzs/Ri4vi3lreZI/AAAAAAAAABI/g8QbQjga87M/s72-c/f+as+friendship.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1941660870501278477.post-3326776072890004238</id><published>2007-01-28T20:30:00.000-08:00</published><updated>2007-01-25T10:36:58.059-08:00</updated><title type='text'>Screening Number Five: "E as in Childhood"</title><content type='html'>at the Mandrake Bar at 8:30 p.m.&lt;br /&gt;2692 S La Cienega Blvd Los Angeles&lt;br /&gt;_________________________________________&lt;br /&gt;Pierre André Boutang: Gilles Deleuze/Claire Parnet: From A to Z: “E as in Childhood"&lt;br /&gt;(1988) 35 minutes (Translated by Charles J. Stivale)&lt;br /&gt;&lt;br /&gt;Jean Vigo: Zero of Conduct [Excerpt] (1956)&lt;br /&gt;4 minutes &lt;br /&gt;&lt;br /&gt;Jean Eustache: Japanese Trailer of "My little Lovers" (2000)&lt;br /&gt;1 minute&lt;br /&gt;&lt;br /&gt;Carlos Vilardebó: Calder's Circus (1961)&lt;br /&gt;19 minutes &lt;br /&gt;&lt;br /&gt;Jack Goldstein: Bone China (1976)&lt;br /&gt;4 minutes&lt;br /&gt;&lt;br /&gt;Tim Pope: The Cure: Boys Don't Cry (1986)&lt;br /&gt;4 minutes&lt;br /&gt;&lt;br /&gt;Jean Eustache: Photos of Alix (1980)&lt;br /&gt;13 minute&lt;br /&gt;____________________________________________&lt;br /&gt;&lt;br /&gt;&lt;a href="http://bp0.blogger.com/_l7thsVIsLzs/RbhdubKt6WI/AAAAAAAAAAw/inVGIV2d7rg/s1600-h/E-as-Enfance.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;" src="http://bp0.blogger.com/_l7thsVIsLzs/RbhdubKt6WI/AAAAAAAAAAw/inVGIV2d7rg/s320/E-as-Enfance.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5023868436479863138" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1941660870501278477-3326776072890004238?l=atozfilms.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://atozfilms.blogspot.com/feeds/3326776072890004238/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1941660870501278477&amp;postID=3326776072890004238' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1941660870501278477/posts/default/3326776072890004238'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1941660870501278477/posts/default/3326776072890004238'/><link rel='alternate' type='text/html' href='http://atozfilms.blogspot.com/2007/01/screening-number-five-e-as-in-childhood.html' title='Screening Number Five: &quot;E as in Childhood&quot;'/><author><name>hedi</name><uri>http://www.blogger.com/profile/04347574537338138649</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_l7thsVIsLzs/S-Re4UWZmdI/AAAAAAAAAFc/LaTsj_nbVcU/S220/BY+THE+TIME.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp0.blogger.com/_l7thsVIsLzs/RbhdubKt6WI/AAAAAAAAAAw/inVGIV2d7rg/s72-c/E-as-Enfance.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1941660870501278477.post-3915449676763115897</id><published>2007-01-14T20:30:00.000-08:00</published><updated>2007-01-12T16:14:46.970-08:00</updated><title type='text'>Screening Number Four: "D as in Desire"</title><content type='html'>at the Mandrake Bar at 8:30 p.m.&lt;br /&gt;2692 S La Cienega Blvd Los Angeles&lt;br /&gt;_________________________________________&lt;br /&gt;Pierre André Boutang: Gilles Deleuze/Claire Parnet: From A to Z: “D as in Desire"&lt;br /&gt;(1988) 29 minutes (Translated by Charles J. Stivale)&lt;br /&gt;&lt;br /&gt;Jean Rouch: Gare du Nord (1965)&lt;br /&gt;10 minutes&lt;br /&gt;&lt;br /&gt;Robert Bresson: Trailer of Money (1983)&lt;br /&gt;1 minutes&lt;br /&gt;&lt;br /&gt;Willard Maas: Andy Warhol’s Silver Flotations: (1966)&lt;br /&gt;4 minutes&lt;br /&gt;&lt;br /&gt;Philippe Garrel: Trailer of Inner Scar (1972)&lt;br /&gt;2 minutes&lt;br /&gt;&lt;br /&gt;Dudley Murphy: Soul of the Cypress (1920)&lt;br /&gt;7 minutes&lt;br /&gt;&lt;br /&gt;Chris Kraus: The Golden Bowl or Repression (1984/88)&lt;br /&gt;12 minutes&lt;br /&gt;&lt;br /&gt;David Wojnarowicz / Phil Zwickler: Fear of Disclosure (1989)&lt;br /&gt;4 minutes&lt;br /&gt;&lt;br /&gt;David Mallet: David Bowie: Let’s Dance (1983)&lt;br /&gt;4 minutes&lt;br /&gt;____________________________________________&lt;br /&gt;&lt;br /&gt;&lt;a href="http://bp3.blogger.com/_l7thsVIsLzs/RaMx-WBFNqI/AAAAAAAAAAk/L4ttPJEfLUk/s1600-h/D-as-Desire.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;" src="http://bp3.blogger.com/_l7thsVIsLzs/RaMx-WBFNqI/AAAAAAAAAAk/L4ttPJEfLUk/s320/D-as-Desire.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5017909356952630946" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1941660870501278477-3915449676763115897?l=atozfilms.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1941660870501278477/posts/default/3915449676763115897'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1941660870501278477/posts/default/3915449676763115897'/><link rel='alternate' type='text/html' href='http://atozfilms.blogspot.com/2007/01/screening-number-four-d-as-in-desire.html' title='Screening Number Four: &quot;D as in Desire&quot;'/><author><name>hedi</name><uri>http://www.blogger.com/profile/04347574537338138649</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_l7thsVIsLzs/S-Re4UWZmdI/AAAAAAAAAFc/LaTsj_nbVcU/S220/BY+THE+TIME.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp3.blogger.com/_l7thsVIsLzs/RaMx-WBFNqI/AAAAAAAAAAk/L4ttPJEfLUk/s72-c/D-as-Desire.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1941660870501278477.post-6919425248909248362</id><published>2006-12-17T20:30:00.000-08:00</published><updated>2006-12-09T16:34:53.194-08:00</updated><title type='text'>Screening Number Three: "C as in Culture"</title><content type='html'>at the Mandrake Bar at 8:30 p.m.&lt;br /&gt;2692 S La Cienega Blvd Los Angeles&lt;br /&gt;_________________________________________&lt;br /&gt;Pierre André Boutang: Gilles Deleuze/Claire Parnet: From A to Z: “C as in Culture"&lt;br /&gt;(1988) 29 minutes (Translated by Charles J. Stivale)&lt;br /&gt;&lt;br /&gt;Alain Resnais: All of the World's Memory (1956)&lt;br /&gt;22 minutes&lt;br /&gt;&lt;br /&gt;Bernadette Corporation: Hell Frozen Over (2000)&lt;br /&gt;20 minutes&lt;br /&gt;&lt;br /&gt;Jean-Luc Godard: Origins of the 21st Century (2000)&lt;br /&gt;13 minutes&lt;br /&gt;&lt;br /&gt;Sébastien Caudron: Passi: Emeutes (2000)&lt;br /&gt;4 minutes&lt;br /&gt;____________________________________________&lt;br /&gt;&lt;br /&gt;&lt;a href="http://bp2.blogger.com/_l7thsVIsLzs/RXskGkpfeOI/AAAAAAAAAAY/o4NY7qTnZBc/s1600-h/c-as-culture.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;" src="http://bp2.blogger.com/_l7thsVIsLzs/RXskGkpfeOI/AAAAAAAAAAY/o4NY7qTnZBc/s320/c-as-culture.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5006635106087958754" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1941660870501278477-6919425248909248362?l=atozfilms.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://atozfilms.blogspot.com/feeds/6919425248909248362/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1941660870501278477&amp;postID=6919425248909248362' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1941660870501278477/posts/default/6919425248909248362'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1941660870501278477/posts/default/6919425248909248362'/><link rel='alternate' type='text/html' href='http://atozfilms.blogspot.com/2006/12/screening-number-three-c-as-in-culture.html' title='Screening Number Three: &quot;C as in Culture&quot;'/><author><name>hedi</name><uri>http://www.blogger.com/profile/04347574537338138649</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_l7thsVIsLzs/S-Re4UWZmdI/AAAAAAAAAFc/LaTsj_nbVcU/S220/BY+THE+TIME.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp2.blogger.com/_l7thsVIsLzs/RXskGkpfeOI/AAAAAAAAAAY/o4NY7qTnZBc/s72-c/c-as-culture.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1941660870501278477.post-6753151449118281917</id><published>2006-11-26T12:21:00.000-08:00</published><updated>2006-11-23T13:13:23.965-08:00</updated><title type='text'>Screening Number Two: "B as in Boire (Drinking)"</title><content type='html'>at the Mandrake Bar at 8:30 p.m.&lt;br /&gt;2692 S La Cienega Blvd Los Angeles&lt;br /&gt;_________________________________________&lt;br /&gt;Pierre André Boutang: Gilles Deleuze/Claire Parnet: From A to Z: “B as in Boire"&lt;br /&gt;(1988) 12 minutes (Translated by Charles J. Stivale)&lt;br /&gt;&lt;br /&gt;Guy Debord: On the Passage of a Few Persons Through a Rather Brief Unity of Time (1959)&lt;br /&gt;19 minutes (Translated by Ken Knabb)&lt;br /&gt;&lt;br /&gt;Jean Eustache: Bad Company (Les Mauvaises Fréquentations) (1963)&lt;br /&gt;37 minutes&lt;br /&gt;&lt;br /&gt;Scott Blen: Pavement: Range Life (1995)&lt;br /&gt;5 minutes&lt;br /&gt;____________________________________________&lt;br /&gt;&lt;br /&gt;&lt;a href="http://photos1.blogger.com/x/blogger2/781/237019149231113/1600/558501/B-as-Boire.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;" src="http://photos1.blogger.com/x/blogger2/781/237019149231113/320/396481/B-as-Boire.jpg" border="0" alt="" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1941660870501278477-6753151449118281917?l=atozfilms.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://atozfilms.blogspot.com/feeds/6753151449118281917/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1941660870501278477&amp;postID=6753151449118281917' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1941660870501278477/posts/default/6753151449118281917'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1941660870501278477/posts/default/6753151449118281917'/><link rel='alternate' type='text/html' href='http://atozfilms.blogspot.com/2006/11/screening-number-two-b-as-in-boire.html' title='Screening Number Two: &quot;B as in Boire (Drinking)&quot;'/><author><name>hedi</name><uri>http://www.blogger.com/profile/04347574537338138649</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_l7thsVIsLzs/S-Re4UWZmdI/AAAAAAAAAFc/LaTsj_nbVcU/S220/BY+THE+TIME.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1941660870501278477.post-4951373546645883844</id><published>2006-11-12T11:22:00.000-08:00</published><updated>2006-11-23T13:14:45.387-08:00</updated><title type='text'>Screening Number One :  “A as in Animal"</title><content type='html'>at the Mandrake Bar at 8:30 p.m.&lt;br /&gt;2692 S La Cienega Blvd Los Angeles&lt;br /&gt;_________________________________________&lt;br /&gt;Pierre André Boutang: Gilles Deleuze/Claire Parnet: From A to Z: "A as in Animal" &lt;br /&gt;(1988) 23 minutes (Translated by Charles J. Stivale)&lt;br /&gt;&lt;br /&gt;Lumiere Brothers: The Whole Dam Family &amp; the Dam Dog (1905)&lt;br /&gt;2 minutes&lt;br /&gt;&lt;br /&gt;Peter Kubelka: Unsere Afrikareise (1966) &lt;br /&gt;13 minutes&lt;br /&gt;&lt;br /&gt;Tim Pope: Talk Talk: It's my Life (1984)&lt;br /&gt;4 minutes&lt;br /&gt;&lt;br /&gt;Chris Marker: Zoo Piece (1993)&lt;br /&gt;3 minutes&lt;br /&gt;&lt;br /&gt;Jack Goldstein: Butterflies (1975)&lt;br /&gt;1 minutes&lt;br /&gt;&lt;br /&gt;Chris Marker: An Owl is an Owl (1993)&lt;br /&gt;3 minutes&lt;br /&gt;&lt;br /&gt;Jack Goldstein: White Dove (1975)&lt;br /&gt;1 minutes&lt;br /&gt;&lt;br /&gt;Jean Painlevé: Acéra ou le bal des sorcieres (1972)&lt;br /&gt;13 minutes&lt;br /&gt;____________________________________________&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://photos1.blogger.com/x/blogger2/781/237019149231113/1600/714585/Marie%20Jager-A-as-Animal.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;" src="http://photos1.blogger.com/x/blogger2/781/237019149231113/320/835129/Marie%20Jager-A-as-Animal.jpg" border="0" alt="" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1941660870501278477-4951373546645883844?l=atozfilms.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://atozfilms.blogspot.com/feeds/4951373546645883844/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1941660870501278477&amp;postID=4951373546645883844' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1941660870501278477/posts/default/4951373546645883844'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1941660870501278477/posts/default/4951373546645883844'/><link rel='alternate' type='text/html' href='http://atozfilms.blogspot.com/2006/11/screening-number-one-as-in-animal.html' title='Screening Number One :  “A as in Animal&quot;'/><author><name>hedi</name><uri>http://www.blogger.com/profile/04347574537338138649</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_l7thsVIsLzs/S-Re4UWZmdI/AAAAAAAAAFc/LaTsj_nbVcU/S220/BY+THE+TIME.jpg'/></author><thr:total>1</thr:total></entry></feed>
